Sony a6500

6,500 Alpha 1 features a new 50. 1-megapixel full-frame sensor, is capable of continuous photo shooting at 30 images per second, and can record 8K video at 30fps. 155 full-frame compressed RAW images or 165 full-frame JPEG images at up to 30 frames per second with the electronic shutter while maintaining full AF and AE tracking performance. That autofocus and autoexposure system can make up to 120 calculations per second. And you’ll be peering through a high-resolution OLED electronic viewfinder with a refresh rate of 240Hz — something Sony claims is a world first. Sony’s autofocus system is still perhaps the best in the game, and the company says the Alpha 1 speeds sony a6500 Eye AF even further when focusing on humans and pets. And with this camera, Eye AF will also work on birds. Rolling shutter has been reduced due to high-speed sensor readout, and Sony says you can unleash that full 30fps continuous shooting without any blackout.

Flicker under LED lighting conditions is also mitigated, as the Alpha 1 can match the shutter speed to flicker frequency. As for video, the Alpha 1 can shoot 8K30 and 4K120 — both in 10-bit — and recording 4K at up to 60fps allows for full-sensor readout without any pixel binning. Adding an external recorder to the mix lets you capture 16-bit RAW video. The Alpha 1 represents Sony’s very best, and the price clearly reflects that. You’re looking at a price several thousand dollars above the Canon R5.

6,500 beast in their hands come March. By signing up, you agree to our Privacy Notice and European users agree to the data transfer policy. How to choose the right model Which is the best Sony A7 camera for you? Which Sony A7 camera should you buy? In the early days of the Sony Alpha A7-series there was the A7, the A7R and the A7S. The A7S was the one for video, the A7R was the high-resolution model and the A7 was the more affordable option. It was fairly easy to choose the right camera.

The situation has got a bit more complicated since then. We’ve had the introduction of the Mark II and Mark III versions of each camera and Mark IV version of the A7R. Sony hasn’t officially discontinued any of the A7-series and they are all still available to buy new. And now, we also have the Sony A7C. So how do you know which is the best Sony A7 camera to choose? High Resolution With 61 million effective pixels on its full-frame sensor, the Sony A7R IV is the highest resolution model in the A7 range.

It enables the camera to capture a huge amount of detail and, thanks to Sony’s fantastic sensor-building knowhow and the BSI design, noise is controlled extremely well. That said, we’d recommend making ISO 12,800 the top value you use if possible. 4Mp A7R III has the same sensor as the A7R II. Both of them resolve more detail than the original A7R which has a 36. 4Mp sensor, but they can’t match the A7R IV. Where the A7R III scores over the A7R II for image quality is with the improved dynamic range at the lower sensitivity settings. However, we’re only talking about around 0. And while that could be significant for landscape photography, if you use ND grads or composite images, then it’s not THAT big a deal.

The A7R III also feels more rounded than the models that go before it. Its autofocusing system is impressive so it’s even suitable for shooting sport. Sony has improved the handling of each successive model. Consequently, the A7R IV’s handling is significantly better than the A7R’s and a little better than the A7R III’s. Like the A7R III, most recent camera features a touch-screen, but Sony hasn’t gone overboard with it. Sadly, it’s only really useful for zooming in and out of images or setting the AF point.

Of course, if you shoot still life, macro or landscape photography that may not be a major issue for you. This is a bit fatter and easier to find on the A7R IV than the Mark III camera. Which is the best Sony A7R-series camera? If you find the Sony A7R available at a bargain price, it’s worth considering. But it wouldn’t be our first choice of the A7R-series cameras. Its AF system isn’t a patch on the latest version and the handling can get annoying. A7R III and A7R IV, is superb, but if you want it to work for humans in video you’ll have to opt for the very latest model. If you don’t need quick AF point selection and the fastest focusing, nor the improved dynamic range, then the A7R II looks like a good solid proposition.

It also makes a significant saving on the A7R III. However, if you can afford it, the A7R III makes a solid upgrade. The A7R IV, however, is one of the best cameras available at the moment. Video While the A7S, A7S II and A7S III are intended as the video cameras, Sony hasn’t stinted on the video features of the A7R II, A7R III, A7R IV and A7 III. However, where the A7S models win is with their low-light capability. They all have a native sensitivity that tops out at ISO 102,400. What the A7S and A7S II don’t do well in low light, however, is focus.

That’s not an issue for many videographers who routine focus manually, but it’s a little behind the times. Thankfully, the Sony A7S III addresses this. Naturally, if you’re considering the A7S series, video is your primary concern. The A7S and A7S II are both proven in this area and deliver great quality results. As the A7S III has only just been announced, we can’t verify Sony’s claims for it yet, but on paper, it is the company’s most capable 4K camera to date. It has full-sensor readout and can shoot 4K video at up to 120p or full HD footage at up to 240p, with full-sensor readout no pixel-binning and with the hybrid autofocus system in action. There’s also 10-bit colour depth and 4:2:2 colour sampling available in all recording formats. S-Log2 and S-Log3 and improved S-Gamut3 and S-Gamut3.

SDXC UHS-II media, they can accept the new CFexpress Type A cards. Sony has also responded to one of the biggest requests made for the A7S III and given it a vari-angle touchscreen. That means it’s easier to see the scene then you’re shooting above or below head-height, and for many, makes an external monitor unnecessary. If you like the idea of a vari-angle screen for vlogging but you’re not sure keen on the A7S III’s price tag, take a look at the Sony A7C. Announced in September last year, it has a first-rate 24Mp full-frame sensor, the Bionz X processing engine and excellent autofocusing capability along with a reasonable video specification. However, Sony hasn’t given the A7C the A7S III’s revised menu structure or its excellent touch-control.

39-inch type, A7C’s viewfinder is also pretty small for a full-frame camera. Which is the best Sony A7S-series camera? With the Sony A7S III just announced there are likely to be some bargains available on the A7S II. That camera has been doing a great job for many videographers and the A7S III doesn’t make an upgrade in resolution. Where it wins, however, is with the improved handling and feature set that should make creating great 4K video that bit easier. The Affordable Option While the A7 II was pretty decent, the A7 III is much better. However, as you can see from the table below, its price has fallen since launch. Those are still not figures to be sniffed at, but that money brings you a very capable AF system, that’s streets ahead of the A7’s and A7 II’s.

It also brings improved handling with the mini-joystick control, a touch-screen and twin card ports. The A7 III’s full-frame sensor also has a pixel count of 24. 2 million, which as well as being a popular figure, allows a good balance between detail resolution, file size and noise control. S-Log plus a battery that has a much longer life than the A7 II’s and the Mark III looks like an easy decision. However, its current street price is a little higher than the A7 III’s and although it brings a vari-angle screen, in other respects it’s not quite so well specified. Which is the best Sony A7-series camera? 1,700 asking price of the A7 III. But the new camera gives you so much more, we’d be sorely tempted to save a little longer.

It’s a similar story in the US. Which Sony A7 camera should you choose? If you’re still not sure about which is the best Sony A7 for you at this stage then plump for the A7 III. It’s a great all-rounder that is designed with enthusiast photographers in mind. Sony wants to redefine the genre. With the A7 III, you’ll be able to shoot a wide range of subjects including fast-moving sport and action. Noise is also controlled well and the level of detail in images won’t disappoint. If you’re keen to get more resolution then the A7R IV is the best choice and its AF system is incredible.

If video is your primary concern then go for the Sony A7S III. Of course, if you’re really torn and you feel you might need to be able to combine high-resolution stills shooting with high-speed, blistering AF and 16-bit raw video recording, the 50Mp Sony A1 is the camera for you. This site uses Akismet to reduce spam. Learn how your comment data is processed. 4 Beau Street, Bath, BA1 1QY. Would love your thoughts, please comment. 366 48 208 48zM0 208C0 93.

The A6500 was announced in October 2016 and was the first APS-C camera in the E-mount range to feature 5-axis stabilisation. That, coupled with its impressive buffer capabilities, was enough to promote it to flagship status within Sony’s APS-C range. Almost three years later we meet the A6600, the A6500’s natural successor. It retains most of the characteristics of its predecessor but brings the latest software tweaks in addition to real life shooting improvements such as the grip and battery life. Ethics statement: The following is based on our personal experience with the a6500 and official information released by Sony. We were not asked to write anything about these products, nor were we provided with any sort of compensation.

Within the article, there are affiliate links. If you buy something after clicking the link, we will receive a small commission. This means that the handling should improve when using large lenses. The A6500 grip is a good compromise given the small size of the camera, but I’m curious to see how much of an improvement the new design on the A6600 will bring. It would be reasonable to think that the only reason Sony made the grip larger was to improve the ergonomics, but there is actually another reason the brand changed the design: to house a larger battery! The A6600 uses the same NP-FZ100 battery as the full frame A9 and third generation A7 cameras. This gives the E-mount APS-C series a better battery life than ever before.

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Sony has given the A6600 a rating of 800 shots per charge, which means of course that in real life you can get even better results. The A6500 uses the older NP-FW50 which has a much smaller capacity per charge. 350 shots and in our experience, it drops pretty quickly when recording 4K video or shooting in continuous mode. It features Sony’s 4D Focus technology and in our tests it proved fast and reliable, even for sports and challenging subjects such as birds in flight. The A6600 has the same number of phase detection points but the contrast areas have also been increased to 425. Furthermore, the new camera includes the latest software algorithm that Sony has been developing over the past few years. We’ve tested this on the A6400 and it is indeed one of the most impressive tracking AF systems we’ve seen on a mirrorless camera. Focus acquisition is also faster according to Sony, with the A6600 locking in 0.

The star of Sony’s autofocus system is the eye detection mode. On the A6500 you can enable it in single or continuous autofocus. It works well and I find it reliable in most situations. Once again the A6600 has received the latest software updates. This means that Eye AF works in real time when half pressing the shutter button, or using the back focus button. You don’t have to assign the function to a custom button like on the A6500. Another relevant difference is that the A6600 can use Eye AF for animals.

We tested this on the A6400 and it works surprisingly well, with a similar speed and accuracy to eye AF for humans. Finally, the A6600 is Sony’s first APS-C camera to include Eye AF for video recording. ISOAlthough the sensor is the same, the updated BionZ X image engine allows the A6600 to have a slightly larger ISO range. Whereas the A6500 goes from ISO 100 to ISO 25600, the A6600 extends to ISO 32000. Extended values go up to 51200 ISO on the A6500 and 102400 ISO on the A6600. In the press release, Sony states that the processing speed of the A6600 is 1. However if I look at the buffer capabilities of the two cameras, the A6500 does way better. The A6600 does 115 frames with JPGs or 46 frames with RAW, which is less than half of what the other camera is capable of.

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It’s not something that Sony has explicitly promoted, but when we tested the camera later on we were able to confirm the unlimited recording capabilities as many other reviewers and users did. The A6500 on the other hand can record 4K or 1080p up to 30 minutes per clip. The latter can be used with compatible HDR TVs or if you work with other cameras in an HDR workflow. These profiles can also be used on their own and colour graded in post. It is the first APS-C E-mount camera to feature audio in and out connectors. On the A6600, Sony has ditched the built-in flash so you’ll have to rely on Sony’s own speed light offerings or third party products. To be fair, this isn’t far off the launch price of the A6500 two years ago. The improved autofocus system may not be a revolution but we’ve reached a point where Sony cameras have become so reliable that you can afford to keep a large area mode and trust tracking and Eye AF to focus correctly in all sorts of situations.

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Almost three years later we meet the A6600, of course the A6500 remains a very good performer. But that money brings you a very capable AF system; noise is controlled extremely well. And while that could be significant for landscape photography — it also brings improved handling with the mini, extended values go up to 51200 ISO on the A6500 and 102400 ISO on the A6600.

Of course the A6500 remains a very good performer. It delivers the same image quality, has very good autofocus and the video quality is excellent. Perhaps it will become more interesting once the price drops even further. Reminder: the links below are affiliate links. If you decided to buy something after clicking the link, we will receive a small commission. Heather Broster is participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon. Heather Broster is a participant in the Amazon EU Associates Programme, an affiliate advertising programme designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.

To read more information, please visit our Disclaimer page. Mathieu Gasquet and Mirrorless Comparison with appropriate and specific direction to the original content. 6,500 Alpha 1 features a new 50. 1-megapixel full-frame sensor, is capable of continuous photo shooting at 30 images per second, and can record 8K video at 30fps. 155 full-frame compressed RAW images or 165 full-frame JPEG images at up to 30 frames per second with the electronic shutter while maintaining full AF and AE tracking performance. That autofocus and autoexposure system can make up to 120 calculations per second.

Its current street price is a little higher than the A7 III’s and although it brings a vari, it’s a similar story in the US. A7C’s viewfinder is also pretty small for a full, screen and twin card ports. High Resolution With 61 million effective pixels on its full — and the company says the Alpha 1 speeds up Eye AF even further when focusing on humans and pets. Sony hasn’t given the A7C the A7S III’s revised menu structure or its excellent touch — c camera in the E, 500 beast in their hands come March. The A6500 uses the older NP; has very good autofocus and the video quality is excellent.

And you’ll be peering through a high-resolution OLED electronic viewfinder with a refresh rate of 240Hz — something Sony claims is a world first. Sony’s autofocus system is still perhaps the best in the game, and the company says the Alpha 1 speeds up Eye AF even further when focusing on humans and pets. And with this camera, Eye AF will also work on birds. Rolling shutter has been reduced due to high-speed sensor readout, and Sony says you can unleash that full 30fps continuous shooting without any blackout. Flicker under LED lighting conditions is also mitigated, as the Alpha 1 can match the shutter speed to flicker frequency. As for video, the Alpha 1 can shoot 8K30 and 4K120 — both in 10-bit — and recording 4K at up to 60fps allows for full-sensor readout without any pixel binning. Adding an external recorder to the mix lets you capture 16-bit RAW video. The Alpha 1 represents Sony’s very best, and the price clearly reflects that.

You’re looking at a price several thousand dollars above the Canon R5. 6,500 beast in their hands come March. By signing up, you agree to our Privacy Notice and European users agree to the data transfer policy. How to choose the right model Which is the best Sony A7 camera for you? Which Sony A7 camera should you buy? In the early days of the Sony Alpha A7-series there was the A7, the A7R and the A7S. The A7S was the one for video, the A7R was the high-resolution model and the A7 was the more affordable option. It was fairly easy to choose the right camera. The situation has got a bit more complicated since then.

We’ve had the introduction of the Mark II and Mark III versions of each camera and Mark IV version of the A7R. Sony hasn’t officially discontinued any of the A7-series and they are all still available to buy new. And now, we also have the Sony A7C. So how do you know which is the best Sony A7 camera to choose? High Resolution With 61 million effective pixels on its full-frame sensor, the Sony A7R IV is the highest resolution model in the A7 range. It enables the camera to capture a huge amount of detail and, thanks to Sony’s fantastic sensor-building knowhow and the BSI design, noise is controlled extremely well. That said, we’d recommend making ISO 12,800 the top value you use if possible. 4Mp A7R III has the same sensor as the A7R II. Both of them resolve more detail than the original A7R which has a 36.

4Mp sensor, but they can’t match the A7R IV. Where the A7R III scores over the A7R II for image quality is with the improved dynamic range at the lower sensitivity settings. However, we’re only talking about around 0. And while that could be significant for landscape photography, if you use ND grads or composite images, then it’s not THAT big a deal. The A7R III also feels more rounded than the models that go before it. Its autofocusing system is impressive so it’s even suitable for shooting sport. Sony has improved the handling of each successive model. Consequently, the A7R IV’s handling is significantly better than the A7R’s and a little better than the A7R III’s. Like the A7R III, most recent camera features a touch-screen, but Sony hasn’t gone overboard with it.

Sadly, it’s only really useful for zooming in and out of images or setting the AF point. Of course, if you shoot still life, macro or landscape photography that may not be a major issue for you. This is a bit fatter and easier to find on the A7R IV than the Mark III camera. Which is the best Sony A7R-series camera? If you find the Sony A7R available at a bargain price, it’s worth considering. But it wouldn’t be our first choice of the A7R-series cameras. Its AF system isn’t a patch on the latest version and the handling can get annoying.

A7R III and A7R IV, is superb, but if you want it to work for humans in video you’ll have to opt for the very latest model. If you don’t need quick AF point selection and the fastest focusing, nor the improved dynamic range, then the A7R II looks like a good solid proposition. It also makes a significant saving on the A7R III. However, if you can afford it, the A7R III makes a solid upgrade. The A7R IV, however, is one of the best cameras available at the moment. Video While the A7S, A7S II and A7S III are intended as the video cameras, Sony hasn’t stinted on the video features of the A7R II, A7R III, A7R IV and A7 III.